Showing posts with label Oulipost. Show all posts
Showing posts with label Oulipost. Show all posts

Wednesday, April 9, 2014

OULIPOST POEM #9: What's in an NBA Agent's Bag?


 What's in an NBA Agent's Bag?

Big Hedge Funds
Puerto Rican Debt
No-Mess Crafts
Whole Foods
Dice 
Lavender-filled Teddy Bears from Tasmania 





OULIPOST PROMPT #9: Headlines (Variations of Jean Queval’s “Cent On”) – Compose a poem whose body is sourced from article headlines in your newspaper.  This poem was created with headlines from the April 9, 2014 Wall Street Journal:

What's in an NBA Agent's Bag?

Lavender-filled Teddy Bears from Tasmania
are a Big Hit in China

Big Hedge Funds Roll Dice on Puerto Rica Debt

Moms Pay whatever it takes for No-Mess Crafts

It's Really Hard to be a Whole Foods Clone

Thursday, April 3, 2014

OULIPOST POEM #3: Queen of the Night

QUEEN OF THE NIGHT

Every period of darkness between one day 
and the next--the time day of when no light 
from the sun can be seen and most people 

and animals sleep--she places the part 
of the body she sees with in a state of touching 
with the part of the body someone else 

sees with, in an attractive manner that flows 
clearly from the source. She does this with a group 
of human beings gathered around a common 

interest and settled in close proximity--
separated merely by the distance 
of an upper human limb.


Directions for the "Definitional Lit" assignment: "Select a single sentence from a newspaper article. Replace each meaningful word in the text [verb, noun, adjective, adverb] by its dictionary definition. Repeat this treatment on the resulting sentence, and so on, until you’ve had enough!"

Here's the sentence I chose:
"Every night, she makes direct, engaging eye contact with people seated just an arm's length away."

From "Valerie Benoit-Charbonneau on Acting, Improvising and Eye Contact in 'Queen of the Night'," in the April 2, 2014 online edition of the WSJ.



Wednesday, April 2, 2014

Oulipost Poem #2: MY BID


The LIPOGRAM assignment for today required me to omit from my poem any words that use letters in my chosen newspaper’s title. It turns out that The Wall Street Journal includes all of the vowels except “I,” and many popular vowels that combine with I:  H, N, S, T as well as J and W. This means that the only vowel in my chosen words is I, but I can’t use: “in,” “it,” “is,”  “hi,” “his” . . . not to mention countless other combinations. Toughest restriction I’ve ever worked with!


My Bid

Mid
big fig gig
I
bid Xi dig
pig





I began by searching an article in the April 2 issue of the WSJ about China admitting French pork into its markets, but was only able to use the first name of the Chinese President and the source of the pork product, with a few others words that, frankly, came from a short list I compiled of possibilities that fit the restriction.

Oulipost Poem #1: Cereal Killer



Cereal Killer

After years of planting one massive crop after another, U. S. Corn farmers are planning to pull back.

“It’s a different world than we were in just a couple years ago,” said Patrick Westfhoff.

Growing global competition is emerging as rapid growth in corn demand at home ends.

Record-setting corn prices spurred production elsewhere.

Thousands of metric tons rejected by China because they contained a genetically modified strain unapproved in that country.

On the Kansas-Oklahoma border, Kenny Mitchell is trying to navigate price-swings.

“Selling the corn is almost as important as raising it.”




This poem, a quote cento, was written entirely with phrases from The Wall Street Journal for April 1, 2014. "Cereal Killer" was created from a single article, “Corn Farmers’ Seed of Doubt” by Mark Peters and Tony C. Dreibus, p. A3.  The title comes from a chart accompanying the article. I can say that my first experiment with this form led me to read far more of the newspaper in the morning than I usually do.

Wednesday, March 12, 2014

Introducing Oulipost

Assignment #1: Interview

I'm thrilled to be a part of Oulipost this month, as I've been longing for an excuse to write more Oulipo experiments. It's exciting and a bit nerve-wracking to be part of a public group experiment, but I plan on plunging into it as I plunged into learning Spanish in my late adulthood. Oulipo (Ouvroir de littérature potentielle) was founded in 1960 in Paris by Raymond Queneau and François Le Lionnais, writers who were also fans of math.

I first ran into Oulipo about a decade ago, and fell in love with the N+7 chance form.  In this form you choose a piece of text, identify all of the non-proper nouns, and then replace them with a word that's seven nouns ahead in the dictionary. Of course the type of dictionary you have, the similar words you discount as you're searching for the seven, etc. allow for some play in the chance factor. My favorite piece so far is based on The 23rd Psalm:  "The Loris is My Sherpa." I love the sound coincidences in this form, and also the way it reveals the power of syntax once the sense is knocked a bit out of kilter.

For this month I'll be using The Wall Street Journal, since I have a plentiful supply, due to a frequent flier consolation prize. The subscription runs out soon, but if needed I'll dip into the backlog.

My spirit Oulipian will be Italo Calvino, the wonderful Italian storyteller born in Cuba of Italian parents who were botanists and had immigrated to Mexico before he was born. When he was two, Italo returned to Italy with his scientific parents and hid his love of stories from them until halfway through university. It's his passion for the story, especially for the fabula--the fairy tale--that I share. He was invited to join Oulipo in the 1960s. I think of myself as an honorary member, too, at least for the period of Oulipost. And, I have this crazy habit of hiding important things from myself.